아무도 아닌 아이 / Nobody's Girl (삽화 포함, 영문판)

헥터 말롯 지음

아이보리잉크 2025년 11월 19일 출간

작품소개

책소개

* 이 도서는 영어만으로 구성되어 있습니다.
'아무도 아닌 아이 / Nobody's Girl'는 프랑스의 작가 헥터 말롯(Hector Malot)이 쓴 고전 명작 소설로, 고아 소녀 페린이 어려움을 극복하고 성장해 나가는 감동적인 이야기를 담고 있습니다. 이 소설은 가족, 우정, 용기, 자기 발견의 중요성을 아름답게 그려내며, 따뜻한 삽화가 함께 수록되어 독자의 상상력을 자극합니다. 이번 영문판은 원작의 섬세한 감정과 메시지를 영어로 온전히 느껴볼 수 있는 기회를 제공합니다. 영문판을 읽으면서 영어 독해 능력을 키우는 동시에, 세계적으로 사랑받는 고전의 매력을 새롭게 경험할 수 있습니다.

목차

표지
목차
CHAPTER I. PERRINE AND PALIKARE
CHAPTER II. GRAIN-OF-SALT IS KIND
CHAPTER III. "POOR LITTLE GIRL"
CHAPTER IV. A HARD ROAD TO TRAVEL
CHAPTER V. STORMS AND FEARS
CHAPTER VI. THE RESCUE
CHAPTER VII. MARAUCOURT AT LAST
CHAPTER VIII. GRANDFATHER VULFRAN
CHAPTER X. ONE SLEEPLESS NIGHT
CHAPTER X. THE HUT ON THE ISLAND
CHAPTER XI. WORK IN THE FACTORY
CHAPTER XII. NEW SHOES
CHAPTER XIII. STRANGE HOUSEKEEPING
CHAPTER XIV. A BANQUET IN THE HUT
CHAPTER XV. AURELIE’S CHANCE
CHAPTER XVI. GRANDFATHER’S INTERPRETER
CHAPTER XVII. HARD QUESTIONS
CHAPTER XVIII. SECRETARY TO M. VULFRAN
CHAPTER XIX. SUSPICION AND CONFIDENCE
CHAPTER XX. THE SCHEMERS
CHAPTER XXI. LETTERS FROM DACCA
CHAPTER XXII. A CABLE TO DACCA
CHAPTER XXIII. GRANDFATHER’S COMPANION
CHAPTER XXIV. GETTING AN EDUCATION
CHAPTER XXV. MEDDLING RELATIVES
CHAPTER XXVI. PAINFUL ARGUMENTS
CHAPTER XXVII. THE BLIND MAN’S GRIEF
CHAPTER XXVIII. AN UNRESPECTED FUNERAL
CHAPTER XXIX. THE ANGEL OF REFORM
CHAPTER XXX. GRANDFATHER FINDS PERRINE
CHAPTER XXXI. THE GRATEFUL PEOPLE
copyrights
(참고) 분량: 약 12 만자

책 속으로

IT WAS Saturday afternoon about 3 o’clock. There was the usual scene; outside the Gates of Bercy there was a crowd of people, and on the quays, four rows deep, carts and wagons were massed together. Coal carts, carts heaped with hay and straw, all were waiting in the clear, warm June sunshine for the examination from the custom official. All had been hurrying to reach Paris before Sunday.
Amongst the wagons, but at some little distance from the Gates, stood an odd looking cart, a sort of caravan. Over a light frame work which was erected on four wheels was stretched a heavy canvas; this was fastened to the light roof which covered the wagon. Once upon a time the canvas might have been blue, but it was so faded, so dirty and worn, that one could only guess what its original color had been. Neither was it possible to make out the inscriptions which were painted on the four sides. Most of the words were effaced. On one side there was a Greek word, the next side bore part of a German word, on the third side were the letters F I A, which was evidently Italian, and on the last a newly painted French word stood out boldly. This was PHOTOGRAPHIE, and was evidently the translation of all the others, indicating the different countries through which the miserable wagon had come before it had entered France and finally arrived at the Gates of Paris.
Was it possible that the donkey that was harnessed to it had brought the cart all this distance? At first glance it seemed impossible, but although the animal was tired out, one could see upon a closer view that it was very robust and much bigger than the donkeys that one sees in Europe. Its coat was a beautiful dark grey, the beauty of which could be seen despite the dust which covered it. Its slender legs were marked with jet black lines, and worn out though the poor beast was, it still held its head high. The harness, worthy of the caravan, was fastened together with various colored strings, short pieces, long pieces, just what was at hand at the moment; the strings had been carefully hidden under the flowers and branches which had been gathered along the roads and used to protect the animal from the sun and the flies.
Close by, seated on the edge of the curb, watching the donkey, was a little girl of about thirteen years of age. Her type was very unusual, but it was quite apparent that there was a mixture of race. The pale blond of her hair contrasted strangely with the deep, rich coloring of her cheeks, and the sweet expression of her face was accentuated by the dark, serious eyes. Her mouth also was very serious. Her figure, slim and full of grace, was garbed in an old, faded check dress, but the shabby old frock could not take away the child’s distinguished air.
As the donkey had stopped just behind a large cart of straw, it would not have required much watching, but every now and again he pulled out the straw, in a cautious manner, like a very intelligent animal that knows quite well that it is doing wrong.
"Palikare! stop that!" said the girl for the third time.
The donkey again dropped his head in a guilty fashion, but as soon as he had eaten his wisps of straw he began to blink his eyes and agitate his ears, then again discreetly, but eagerly, tugged at what was ahead of him; this in a manner that testified to the poor beast’s hunger.

인물정보

저자(글) 헥터 말롯

헥터 말롯(Hector Malot)은 19세기 프랑스의 대표적인 소설가로, 어린이와 청소년을 위한 감동적인 스토리텔링으로 유명합니다. 그의 대표작 '아무도 아닌 아이'와 '레미의 여행'(Sans Famille)은 가족과 인생의 의미에 대한 깊은 통찰과 따뜻한 인간애를 전하며 전 세계 독자들에게 오랫동안 사랑받고 있습니다. 말롯은 사실적인 묘사와 감성적인 필치로 어린이 문학의 새로운 지평을 연 작가로 평가받고 있습니다.