LES MISÉRABLES 5 JEAN VALJEAN

Victor Hugo 지음 | Émile-Antoine Bayard 그림 | Isabel F. Hapgood 옮김

포레스트 위즈덤 2025년 09월 15일 출간

작품소개

책소개

"Les Misérables, v. 5 Jean Valjean" by Victor Hugo is a classic novel written in the mid-19th century. This volume is part of the larger narrative that traces the life of Jean Valjean, a former convict seeking redemption and grappling with the societal issues of his time. The text captures the tumultuous backdrop of post-revolutionary France, examining themes of justice, love, sacrifice, and the struggles of the impoverished. The opening of this volume introduces the reader to the setting of the June 1848 insurrection, featuring two significant barricades that symbolize the fight against social injustice. As the narrative unfolds, it delves into the psychological and moral conflicts faced by the characters, including not only Valjean but also Enjolras, who leads the insurgents, and Javert, representing the law and order. The text articulates the complexities of their struggles, depicting the harsh realities of revolution, the desperation of the common people, and the moments of profound introspection that accompany the chaos of battle. Ultimately, it invites readers to ponder the deeper meanings of freedom and the human experience amidst conflict.

목차

BOOK FIRST. THE WAR BETWEEN FOUR WALLS
I. THE CHARYBDIS OF THE FAUBOURG SAINT ANTOINE AND THE SCYLLA OF THE FAUBOURG DU TEMPLE
II. WHAT IS TO BE DONE IN THE ABYSS IF ONE DOES NOT CONVERSE
III. LIGHT AND SHADOW
IV. MINUS FIVE, PLUS ONE
V. THE HORIZON WHICH ONE BEHOLDS FROM THE SUMMIT OF A BARRICADE
VI. MARIUS HAGGARD, JAVERT LACONIC
VII. THE SITUATION BECOMES AGGRAVATED
VIII. THE ARTILLERY-MEN COMPEL PEOPLE TO TAKE THEM SERIOUSLY
IX. EMPLOYMENT OF THE OLD TALENTS OF A POACHER AND THAT INFALLIBLE MARKSMANSHIP WHICH INFLUENCED THE CONDEMNATION OF 1796
X. DAWN
XI. THE SHOT WHICH MISSES NOTHING AND KILLS NO ONE
XII. DISORDER A PARTISAN OF ORDER
XIII. PASSING GLEAMS
XIV. WHEREIN WILL APPEAR THE NAME OF ENJOLRAS’ MISTRESS
XV. GAVROCHE OUTSIDE
XVI. HOW FROM A BROTHER ONE BECOMES A FATHER
XVII. MORTUUS PATER FILIUM MORITURUM EXPECTAT
XVIII. THE VULTURE BECOME PREY
XIX. JEAN VALJEAN TAKES HIS REVENGE
XX. THE DEAD ARE IN THE RIGHT AND THE LIVING ARE NOT IN THE WRONG
XXI. THE HEROES
XXII. FOOT TO FOOT
XXIII. ORESTES FASTING AND PYLADES DRUNK
XXIV. PRISONER

BOOK SECOND. THE INTESTINE OF THE LEVIATHAN
I. THE LAND IMPOVERISHED BY THE SEA
II. ANCIENT HISTORY OF THE SEWER
III. BRUNESEAU
IV.
V. PRESENT PROGRESS
VI. FUTURE PROGRESS

BOOK THIRD. MUD BUT THE SOUL
I. THE SEWER AND ITS SURPRISES
II. EXPLANATION
III. THE “SPUN” MAN
IV. HE ALSO BEARS HIS CROSS
V. IN THE CASE OF SAND AS IN THAT OF WOMAN, THERE IS A FINENESS WHICH IS TREACHEROUS
VI. THE FONTIS
VII. ONE SOMETIMES RUNS AGROUND WHEN ONE FANCIES THAT ONE IS DISEMBARKING
VIII. THE TORN COAT-TAIL
IX. MARIUS PRODUCES ON SOME ONE WHO IS A JUDGE OF THE MATTER, THE EFFECT OF BEING DEAD
X. RETURN OF THE SON WHO WAS PRODIGAL OF HIS LIFE
XI. CONCUSSION IN THE ABSOLUTE
XII. THE GRANDFATHER

BOOK FOURTH. JAVERT DERAILED
I.

BOOK FIFTH. GRANDSON AND GRANDFATHER
I. IN WHICH THE TREE WITH THE ZINC PLASTER APPEARS AGAIN
II. MARIUS, EMERGING FROM CIVIL WAR, MAKES READY FOR DOMESTIC WAR
III. MARIUS ATTACKED
IV. MADEMOISELLE GILLENORMAND ENDS BY NO LONGER THINKING IT A BAD THING THAT M. FAUCHELEVENT SHOULD HAVE ENTERED WITH SOMETHING UNDER HIS ARM
V. DEPOSIT YOUR MONEY IN A FOREST RATHER THAN WITH A NOTARY
VI. THE TWO OLD MEN DO EVERYTHING, EACH ONE AFTER HIS OWN FASHION, TO RENDER COSETTE HAPPY
VII. THE EFFECTS OF DREAMS MINGLED WITH HAPPINESS
VIII. TWO MEN IMPOSSIBLE TO FIND

BOOK SIXTH. THE SLEEPLESS NIGHT
I. THE 16TH OF FEBRUARY, 1833
II. JEAN VALJEAN STILL WEARS HIS ARM IN A SLING
III. THE INSEPARABLE
IV. THE IMMORTAL LIVER

BOOK SEVENTH. THE LAST DRAUGHT FROM THE CUP
I. THE SEVENTH CIRCLE AND THE EIGHTH HEAVEN
II. THE OBSCURITIES WHICH A REVELATION CAN CONTAIN

BOOK EIGHTH. FADING AWAY OF THE TWILIGHT
I. THE LOWER CHAMBER
II. ANOTHER STEP BACKWARDS
III. THEY RECALL THE GARDEN OF THE RUE PLUMET
IV. ATTRACTION AND EXTINCTION

BOOK NINTH. SUPREME SHADOW, SUPREME DAWN
I. PITY FOR THE UNHAPPY, BUT INDULGENCE FOR THE HAPPY
II. LAST FLICKERINGS OF A LAMP WITHOUT OIL
III. A PEN IS HEAVY TO THE MAN WHO LIFTED THE FAUCHELEVENT’S CART
IV. A BOTTLE OF INK WHICH ONLY SUCCEEDED IN WHITENING
V. A NIGHT BEHIND WHICH THERE IS DAY
VI. THE GRASS COVERS AND THE RAIN EFFACES

인물정보

저자(글) Victor Hugo

Victor-Marie Hugo, vicomte Hugo (1802~1885) was a French Romantic author, poet, essayist, playwright, journalist, human rights activist and politician.
His most famous works are the novels The Hunchback of Notre-Dame (1831) and Les Misérables (1862). In France, Hugo is renowned for his poetry collections, such as Les Contemplations and La Légende des siècles (The Legend of the Ages). Hugo was at the forefront of the Romantic literary movement with his play Cromwell and drama Hernani. His works have inspired music, both during his lifetime and after his death, including the opera Rigoletto and the musicals Les Misérables and Notre-Dame de Paris. He produced more than 4,000 drawings in his lifetime, and campaigned for social causes such as the abolition of capital punishment and slavery.
Although he was a committed royalist when young, Hugo's views changed as the decades passed, and he became a passionate supporter of republicanism, serving in politics as both deputy and senator. His work touched upon most of the political and social issues and the artistic trends of his time. His opposition to absolutism, and his literary stature, established him as a national hero. Hugo died on 22 May 1885, aged 83. He was given a state funeral in the Panthéon of Paris, which was attended by over two million people, the largest in French history.

번역 Isabel F. Hapgood

그림/만화 Émile-Antoine Bayard