LES MISÉRABLES 3 MARIUS

Victor Hugo 지음 | Émile-Antoine Bayard 그림 | Isabel F. Hapgood 옮김

포레스트 위즈덤 2025년 09월 15일 출간

작품소개

책소개

"Les Misérables, v. 3 Marius" by Victor Hugo is a novel written in the mid-19th century. This part of the larger work focuses on the character Marius Pontmercy and introduces themes of social class, youth, and childhood rebellion within the backdrop of Paris. The initial chapters delve into the life of the “gamin,” or street child of Paris, and how their experiences reflect the broader societal issues of the time. The opening portion paints a vivid picture of the gamin, portraying them as both innocent and wise, free yet marginalized. Hugo describes their joyful yet rough existence as they navigate the streets filled with mischief and harsh realities. Through the character of Marius, along with others introduced in the early chapters, the narrative begins to explore the complexities of love, societal expectations, and personal identity amidst the clashing classes of Parisian society. The beginning sets the stage for Marius's journey while emphasizing the innocence and resilience of youth amidst adversity.

목차

BOOK FIRST. PARIS STUDIED IN ITS ATOM
I. PARVULUS
II. SOME OF HIS PARTICULAR CHARACTERISTICS
III. HE IS AGREEABLE
IV. HE MAY BE OF USE
V. HIS FRONTIERS
VI. A BIT OF HISTORY
VII. THE GAMIN SHOULD HAVE HIS PLACE IN THE CLASSIFICATIONS OF INDIA
VIII. IN WHICH THE READER WILL FIND A CHARMING SAYING OF THE LAST KING
IX. THE OLD SOUL OF GAUL
X. ECCE PARIS, ECCE HOMO
XI. TO SCOFF, TO REIGN
XII. THE FUTURE LATENT IN THE PEOPLE
XIII. LITTLE GAVROCHE

BOOK SECOND. THE GREAT BOURGEOIS
I. NINETY YEARS AND THIRTY-TWO TEETH
II. LIKE MASTER, LIKE HOUSE
III. LUC-ESPRIT
IV. A CENTENARIAN ASPIRANT
V. BASQUE AND NICOLETTE
VI. IN WHICH MAGNON AND HER TWO CHILDREN ARE SEEN
VII. RULE: RECEIVE NO ONE EXCEPT IN THE EVENING
VIII. TWO DO NOT MAKE A PAIR

BOOK THIRD. THE GRANDFATHER AND THE GRANDSON
I. AN ANCIENT SALON
II. ONE OF THE RED SPECTRES OF THAT EPOCH
III. REQUIESCANT
IV. END OF THE BRIGAND
V. THE UTILITY OF GOING TO MASS, IN ORDER TO BECOME A REVOLUTIONIST
VI. THE CONSEQUENCES OF HAVING MET A WARDEN
VII. SOME PETTICOAT
VIII. MARBLE AGAINST GRANITE

BOOK FOURTH. THE FRIENDS OF THE A B C
I. A GROUP WHICH BARELY MISSED BECOMING HISTORIC
II. BLONDEAU’S FUNERAL ORATION BY BOSSUET
III. MARIUS’ ASTONISHMENTS
IV. THE BACK ROOM OF THE CAFÉ MUSAIN
V. ENLARGEMENT OF HORIZON
VI. RES ANGUSTA

BOOK FIFTH. THE EXCELLENCE OF MISFORTUNE
I. MARIUS INDIGENT
II. MARIUS POOR
III. MARIUS GROWN UP
IV. M. MABEUF
V. POVERTY A GOOD NEIGHBOR FOR MISERY
VI. THE SUBSTITUTE

BOOK SIXTH. THE CONJUNCTION OF TWO STARS
I. THE SOBRIQUET: MODE OF FORMATION OF FAMILY NAMES
II. LUX FACTA EST
III. EFFECT OF THE SPRING
IV. BEGINNING OF A GREAT MALADY
V. DIVERS CLAPS OF THUNDER FALL ON MA’AM BOUGON
VI. TAKEN PRISONER
VII. ADVENTURES OF THE LETTER U DELIVERED OVER TO CONJECTURES
VIII. THE VETERANS THEMSELVES CAN BE HAPPY
IX. ECLIPSE

BOOK SEVENTH. PATRON MINETTE
I. MINES AND MINERS
II. THE LOWEST DEPTHS
III. BABET, GUEULEMER, CLAQUESOUS, AND MONTPARNASSE
IV. COMPOSITION OF THE TROUPE

BOOK EIGHTH. THE WICKED POOR MAN
I. MARIUS, WHILE SEEKING A GIRL IN A BONNET, ENCOUNTERS A MAN IN A CAP
II. TREASURE TROVE
III. QUADRIFRONS
IV. A ROSE IN MISERY
V. A PROVIDENTIAL PEEP-HOLE
VI. THE WILD MAN IN HIS LAIR
VII. STRATEGY AND TACTICS
VIII. THE RAY OF LIGHT IN THE HOVEL
IX. JONDRETTE COMES NEAR WEEPING
X. TARIFF OF LICENSED CABS: TWO FRANCS AN HOUR
XI. OFFERS OF SERVICE FROM MISERY TO WRETCHEDNESS
XII. THE USE MADE OF M. LEBLANC’S FIVE-FRANC PIECE
XIII. SOLUS CUM SOLO, IN LOCO REMOTO, NON COGITABUNTUR ORARE PATER NOSTER
XIV. IN WHICH A POLICE AGENT BESTOWS TWO FISTFULS ON A LAWYER
XV. JONDRETTE MAKES HIS PURCHASES
XVI. IN WHICH WILL BE FOUND THE WORDS TO AN ENGLISH AIR WHICH WAS IN FASHION IN 1832
XVII. THE USE MADE OF MARIUS’ FIVE-FRANC PIECE
XVIII. MARIUS’ TWO CHAIRS FORM A VIS-A-VIS
XIX. OCCUPYING ONE’S SELF WITH OBSCURE DEPTHS
XX. THE TRAP
XXI. ONE SHOULD ALWAYS BEGIN BY ARRESTING THE VICTIMS
XXII. THE LITTLE ONE WHO WAS CRYING IN VOLUME TWO

인물정보

저자(글) Victor Hugo

Victor-Marie Hugo, vicomte Hugo (1802~1885) was a French Romantic author, poet, essayist, playwright, journalist, human rights activist and politician.
His most famous works are the novels The Hunchback of Notre-Dame (1831) and Les Misérables (1862). In France, Hugo is renowned for his poetry collections, such as Les Contemplations and La Légende des siècles (The Legend of the Ages). Hugo was at the forefront of the Romantic literary movement with his play Cromwell and drama Hernani. His works have inspired music, both during his lifetime and after his death, including the opera Rigoletto and the musicals Les Misérables and Notre-Dame de Paris. He produced more than 4,000 drawings in his lifetime, and campaigned for social causes such as the abolition of capital punishment and slavery.
Although he was a committed royalist when young, Hugo's views changed as the decades passed, and he became a passionate supporter of republicanism, serving in politics as both deputy and senator. His work touched upon most of the political and social issues and the artistic trends of his time. His opposition to absolutism, and his literary stature, established him as a national hero. Hugo died on 22 May 1885, aged 83. He was given a state funeral in the Panthéon of Paris, which was attended by over two million people, the largest in French history.

번역 Isabel F. Hapgood

그림/만화 Émile-Antoine Bayard