A Companion to Ingmar Bergman

Daniel Humphrey , Hamish Ford 지음

Wiley-Blackwell 2025년 01월 07일 출간

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A Companion to Ingmar Bergman "This collective project brilliantly launches Bergman studies forward at least a generation or two. The 35 contributors comprise a Who's Who of prominent and rising-star Bergman scholars diversely and globally."—Arne Lunde, UCLA, author of Nordic Exposures: Scandinavian Identities in Classical Hollywood Cinema (2010) "Bergman’s films are not static. They changed dramatically over the filmmaker’s lifetime, and so too our ways of critically analysing them. This superb Companion lays out the tracks of understanding Bergman today."—Adrian Martin, Film Critic, author of Mysteries of Cinema (2018) The first book in English to address Ingmar Bergman's cinema through a broad array of classical and contemporary approaches. A Companion to Ingmar Bergman brings together 32 original essays by established scholars and exciting new voices in the field. Representing a uniquely wide range of approaches in academic film studies and beyond, the chapters that make up the volume illuminate a body of work that changed the way cinema is created, defined, experienced, understood, and interpreted. Thematically organized into four parts, the Companion discusses gender exploration and self-representation in Bergman's cinema, draws evolutionary insights from The Seventh Seal, explores existential feelings and religious iconography in the early 1960s trilogy, journeys through the filmmaker’s island landscape in the context of cinematic tourism, and much more. Throughout the book, hailing from a range of global contexts and backgrounds, the authors provide fresh insights into a deeply complex and challenging film artist, often from unexpected perspectives. An innovative mixture of new scholarship and fresh, updated employments of older approaches, A Companion to Ingmar Bergman: Examines Bergman's cinema through methodologies as

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Notes on Contributors viii Acknowledgements xiv Introduction: A Companion to Ingmar Bergman: The Second Century 1Hamish Ford and Daniel Humphrey Part I Theories Old and New 29 1 To Signify Something for Others: The Hysteric's Discourse in Bergman's Persona 31Anna Backman Rogers 2 The Auteur Quickly Found, Quickly Lost: Jean- Louis Comolli on Bergman 44Daniel Fairfax 3 The Queer Failure of Ingmar Bergman's F r att inte tala om alla dessa kvinnor (All These Women) 59Amanda Doxtater 4 Uncertainty, Delirium, and a Betrayal of What My Body Knew: Horror in the Films of Ingmar Bergman and Beyond 75Sharon Jane Mee 5 "One Sees What One Sees, and One Knows What One Knows": Ingmar Bergman's Ansiktet (The Magician) and Affect 87Tracy Cox-Stanton 6 Identity Crises and Dreams of Being: Gender Ambiguity and Performance in Ingmar Bergman's Cinema 101Page Maitland 7 Evolutionary Insights into Master- Narrative Transitions in Det sjunde inseglet (The Seventh Seal) 117Mads Larsen Part II Methods and Applications 131 8 Ingmar Bergman, Beyond the Walls of Reality 133Joe McElhaney 9 Existential Feelings in Bergman's 'Silence' Trilogy 144Robert Sinnerbrink 10 More Than Just a Melancholy Gaze: Birger Malmsten in and beyond the Films of Ingmar Bergman 160Tytti Soila 11 "I wouldn't want to live there!" Imagining the Nordics through Ingmar Bergman's Films 176Jono Van Belle 12 Bergman's Temporality in its Relation to Memory, the Imaginary, and Legend 187Maureen Turim 13 Communicating Persona 203Anders Marklund 14 Ingmar Bergman and the Importance of Being Superficial: Fashion, Style, and the Auteur as Celebrity 217Maaret Koskinen and Louise Wallenberg 15

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저자(글) Daniel Humphrey

저자(글) Hamish Ford