A Companion to Rainer Werner Fassbinder

Brigitte Peucker 지음

Wiley-Blackwell 2012년 01월 04일 출간

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A Companion to Rainer Werner Fassbinder is the first of its kind to engage with this important figure. Twenty-eight essays by an international group of scholars consider this controversial director's contribution to German cinema, German history, gender studies, and auteurship.A fresh collection of original research providing diverse perspectives on Fassbinder-s work in films, television, poetry, and underground theatre.Rainer Werner Fassbinder remains the preeminent filmmaker of the New German Cinema whose brief but prolific body of work spans from the latter half of the 1960s to the artist-s death in 1982.Interrogates Fassbinder-s influence on the seminal ideas of his time: auteurship, identity, race, queer studies, and the cataclysmic events of German twentieth century historyContributions from internationally diverse scholars specializing in film, culture, and German studies.Includes coverage of his key films including: Gods of the Plague (1970), Beware of a Holy Whore (1971), The Bitter Tears of Petra von Kant (1972), Martha (1973) (TV), World on a Wire (1973), Effi Briest (1974), Ali: Fear Eats the Soul (1974), Fox and His Friends (1975), Fear of Fear (1975), Chinese Roulette (1976), In a Year With 13 Moons (1978), Despair (1978), The Third Generation (1979), Berlin Alexanderplatz (1980) (TV), and

Notes on Contributors viiiAcknowledgments xivIntroduction 1Brigitte PeuckerPart I Life and Work 151 The Other Planet Fassbinder 17Juliane Lorenz2 R. W. Fassbinder: Prodigal Son, Not Reconciled? 45Thomas Elsaesser3 Rainer "Maria" Fassbinder: Cinema between Literature and Life 53Leo A. Lensing4 Five Fassbinder Scenes 67Wayne KoestenbaumPart II Genre; Influence; Aesthetics 775 Imitation, Seriality, Cinema: Early Fassbinder and Godard 79Laura McMahon6 Exposed Bodies; Evacuated Identities 101Claire Kaiser7 Redressing the Inaccessible through the Re‐Inscribed Body: In a Year with 13 Moons and Almodóvar&-s Bad Education 118Victor Fan8 Nudity and the Question: Chinese Roulette 142Eugenie Brinkema9 Color, Melodrama, and the Problem of Interiority 159Brian Price10 Fassbinder's Work : Style, Sirk, and Queer Labor 181John David Rhodes11 A Nagging Physical Discomfort: Fassbinder and Martha 204Joe McElhaney12 Beyond the Woman's Film: Reflecting Difference in the Fassbinder Melodrama 226Nadine Schwakopf13 Through the Looking Glass: Fassbinder's World on a Wire 245Brad PragerPart III Other Texts; Other Media 26714 Violently Oscillating: Science, Repetition, and Affective Transmutation in Fassbinder's Berlin Alexanderplatz 269Elena del Rio15 In Despair : Performance, Citation, Identity 290Brigitte Peucker16 Declined Invitations: Repetition in Fassbinder's Queer "Monomusical" 313Caryl Flinn17 Fassbinder's France: Genet's Miseen Scène in Fassbinder's Films 333Olga Solovieva18 Un-framing the Image: Theatricality and the Art World of Bitter Tears 352Brigitte Peucker19 A Novel Film: Fassbinder's Fon

"This account includes interesting points of view that compliment and supplement one another as they shed light on a complex film practice and its practitioner." (NeoPopRealism Journal, 2011)

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저자(글) Brigitte Peucker

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Brigitte Peucker is the Elias Leavenworth Professor of German and a Professor of Film Studies at Yale University. Peucker is the author of many essays on questions of representation in film and literature. Earlier books include Lyric Descent in the German Romantic Tradition (1987), Incorporating Images: Film and the Rival Arts (1995), and The Material Image: Art and the Real in Film (2007).

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