Why Music Matters

David Hesmondhalgh 지음

Wiley-Blackwell 2013년 06월 26일 출간

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Listen to David Hesmondhalgh discuss the arguments at the core of 'Why Music Matters' with Laurie Taylor on BBC Radio 4's Thinking Allowed here.In what ways might music enrich the lives of people and of societies? What prevents it from doing so? Why Music Matters explores the role of music in our lives, and investigates the social and political significance of music in modern societies.First book of its kind to explore music through a variety of theories and approaches and unite these theories using one authoritative voiceCombines a broad yet theoretically sophisticated approach to music and society with real clarity and accessibilityA historically and sociologically informed understanding of music in relation to questions of social power and inequalityBy drawing on both popular and academic talk about a range of musical forms and practices, readers will engage with a wide musical terrain and a wealth of case studies

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1 Music as Intimate and Social, Private and Public 12 Feeling and Flourishing 112.1 Music, Affect, Emotion 112.2 Emotions, Narrative Play, and Music 142.3 Human Flourishing, Aesthetic Experience, and Music 172.4 Musical Flourishing Beyond Contemplative Cultivation 202.5 Musical Aesthetics and Bodily Experience: Dancing 302.6 Approaches to Music and Emotion in Everyday Life: Contributions and Limitations 352.7 Problems of Self-realization in Modern Life and Their Relation to Music 422.8 Competitive Individualism and Status Competition Through Music 482.9 Review: Music&'s Constrained Enrichment of Lives 533 Love and Sex 573.1 Sex and Love and Rock and Roll 573.2 Two Approaches to Music, Sex, and Sexuality 583.3 The Pop-Rock Divide and Rock&'s Sexual Politics 613.4 Post-War Pop&'s Emotional Resources 653.5 Sex and Love on the Dance Floor 683.6 Critiques of Countercultural Sexual Freedom 713.7 Sex and Love in Punk, Alternative Rock, and Metal 743.8 Sexuality in Twenty-First-Century Pop 773.9 Black Music and Racialized Sexuality 814 Sociability and Place 844.1 Ways of Being Together: Forms of Publicness 844.2 Celebrations of Musical Participation and Their Limitations 874.3 That Syncing Feeling 974.4 Ordinary Sociability I: Singing Together 1024.5 Ordinary Sociability II: Dancing Together 1094.6 Playing Together: Amateur Musicians 1124.7 Theorizing Positive Musical Sociality 1154.8 Spectres of Capitalist Modernity Revisited: Class and Inequality 1204.9 Uneven Musical Development 1234.10 Elements of Thriving Musical Places 1254.11 Quality of Working Life of Professional Musicians 1275 Commonality and Cosmopolitanism 1305.1 Mediated Commonality in Modern Societies 1305.2 Aesthetic Experience and Aspirations to Comm

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저자(글) David Hesmondhalgh

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David Hesmondhalgh is Professor of Media and Music Industries at the University of Leeds. He is the author of The Cultural Industries, now in its third edition (2013) and co-author (with Sarah Baker) of a study of working life in three cultural industries, including music, Creative Labour (2011). He is also the editor or co-editor of various collections, including Western Music and its Others (with Georgina Born, 2000) and Popular Music Studies (with Keith Negus, 2002).